Neue Hope Lithographs
The primary antagonism within the history of the still life is the one between subject matter and technique. In the still life where subject matter wins out, a narrative can be triangulated from the arranged goods; the patron is dispersed into his objects of trade or faith. In the other kind of still life, the technical one, all things become vessels for composition and handling. The meaningful object is emptied out....
GAN UYEDA
Untitled Tapestry 1, 2 & 3
Richard Blackwell and Ryan Ingerbritson
Exhibition View
